Figure 1: Theatrical Poster (Amazon) |
- Primary Language: English
- Format: Colour
- Year of Release: 1975
- Budget: est. $8,000,000
- Film Length: 124 minutes
- Production Company: Zanuck/Brown Productions, Universal Pictures
One of Steven
Spielberg’s most famous films, Jaws,
like Metropolis in 1929 was a film
known for codifying the summer blockbuster film. Based on a novel of the same name and set on
the fictional summer island of Amity, the story revolves around the sudden and
rather disastrous appearance of a great white shark that threatens the island’s
coastline in the weeks before the 4th of July, which for the summer
resort is one of their busiest times of the year. It is up to police Chief Martin Brody (Roy
Scheider) to protect the beach and the town and ultimately get rid of the
creature menacing its coastline.
Despite the larger-than-normal great white that serves as the star, this film does not strike fear by exaggeration or Hollywood embelishment. The dread – brought by the shark’s menacing presence and the science we are given by oceanographer Matt Hooper (Richard Dreyfuss) – remains largely grounded in reality. Hooper’s role
largely “introduces the technical material about sharks in a way that
reinforces our elemental fear of them.” (Ebert, 1975) the stuff we are given is
not made up for the purpose of striking fear and the intimidation. To prominent
examples include Hooper realising that the bide marks left on the body of the
first victim that suggested the mouth of their problem was far larger than the
mouth of a tiger shark could by the townspeople, and further on a tactic used
to slow down and drown a shark such as a great white (air-filled barrels lashed
to a harpoon) simply give it a physical presence and demonstrate how freakishly
strong this beast is. The icing on the cake would be Hooper’s summary of the
shark’s nature: “All this machine does is swim and eat and make little sharks,
and that's all.” His summary makes this thing all the more terrifying as he
essentially tells us that all this thing exists to do is eat and make babies,
the idea that there could be more monsters like Jaws – no matter how mundane he
is – lurking out in the ocean would definitely make some moviegoers think twice
about swimming.
Figure 2: Add a secret shark and these barrels become terrifying signs of a horror approaching. (GoneMovies) |
Created in the age before computer graphics became all the rage, the titular shark has a charm
about it. Due to mechanical troubles, Spielberg took the route of “less is more”
to show the shark and inspire dread as he “expertly conceals the monster,
bringing him into frame sparingly to create impact jolts.” (Reynolds, 2012) That
I still remember long after watching the film. In fact the mechanical shark
barely has any screen-time, which it shares with a (likely smaller) shark that
is used in primarily passing shots, and even that the face of the creature is
used sparingly. The result is we’re not completely thrown off by whether or not
the shark is fake or not because most of the time either we don’t see it or we
see a real shark cleverly shot to look like Jaws himself.
Like every monster movie one of the
crucial things are the performances of the human characters, and much of the
discussion in the film is whether to prioritise the safety of the island and
the tourists, or the island’s economy and open the shark-haunted beaches. Defying
the tropes of the disaster branch of the genre it created , the three key
characters are not heads of their field or randomly possessing some key quality,
instead “
you've got these three ordinary guys - a drunk, a nerd and essentially
this middle-aged dad who is afraid of the water - who rise up to the challenge.
The fact they're so ordinary just makes what they do all the more remarkable.”
(Lucy, 2014) And unlike films such as 2012,
Deep Impact, Thor, The Day After Tomorrow
or even the 2014 Godzilla film, we
have a leading protagonist (Martin in this case) who has no skill or job that puts him at a
convenient advantage (he’s a police chief yes, but most of his job takes place
on land) over everyone else. Quite the opposite as the film spends part of its
time showing him cluing himself up as to what he’s facing despite Amity bringing
in a professional oceanographer, and what is even more engrossing and
genre-shifting is that his research was clearly not helping him much. We are
told he is afraid of the water and coming across a picture of a shark trying to
eat a boat in a storm can’t be good for his self-confidence.
It was something
of a wise decision to tie Quint (Robert Shaw) with the sinking of the U.S.S. Indianapolis during World War II, a real event with real
consequences. The decision certainly enhances things as “the effect — it enriches Quint's character and the whole shark hunt in
a heartbeat — is undeniable” (Empire) It quickly explains Quint’s hatred
and obsession with sharks and uses emotion to justify his mentality, going as
far as to affirm that sharks look almost undead as they attack. He could have
had a more general story, a fishing captain who lost men in a shark attack, but
instead Spielberg’s team tied it with an American tragedy that saw many men
lose their lives to sharks and fatigue. The result is a convincing character
with a borderline-irrational obsession with sharks that, as it turns out, came
from enduring several days of hell. It’s hard to imagine someone who went through
what he did and not be affected somehow.
Toning down the
elaboration, Spielberg has created what could be described as a “domestic
disaster” film. The world’s not ending, not everyone is going to die, but the
fact these people are having their lives changed perhaps irrevocably not only grounds
the film’s believability, but also makes it viewable and capable of affecting a
wide audience – with sharks being common on many coastlines and a danger to all
beach communities, yes, you would likely not go into the water after seeing this.
Bibliography
- Ebert, R., 1975; Jaws; Roger Ebert.com; available at http://www.rogerebert.com/reviews/jaws-1975 (last accessed 12th April 2015)
- Unknown, Analysing Quint’s USS Indianapolis Speech; Empire Magazine; available at http://www.empireonline.com/features/quint-uss-indianapolis-speech/ (last accessed 12th April 2015)
- Lucy, J., 2014; Jaws: The Classic; At the Movies with Margaret and David; available at http://www.abc.net.au/atthemovies/txt/s4026189.htm (last accessed 12th April 2015)
- Reynolds, S., 2012; ‘Jaws’ Review: Steven Spielberg’s Shark Classic Returns to UK Cinemas; Cinema Spy; available at http://www.digitalspy.co.uk/movies/review/a387349/jaws-review-steven-spielbergs-shark-classic-returns-to-uk-cinemas.html#~p9FOcPhUfgZHv5 (last accessed 12th April 2015)
Imag References
- Figure 1: Amazon, [theatrical poster]; 71CTreJGV5L SL150; available at http://ecx.images-amazon.com/images/I/71CTreJGV5L._SL1500_.jpg (last accessed 12th April 2015)
- Figure 2: GoneMovies; [Add a secret shark and these barrels become terrifying signs of a horror approaching.]; Jaws 39; available at http://www.gonemovies.com/WWW/Pictures/Pictures/Jaws39.jpg (last accessed 12th April 2015)
- Figure 3: Braithwaite, M., 2012; [What sets Martin Brody apart from the "struggling dad" archetype in many disaster films is that he has no convenient speciality, which makes the determination of his involvement that much more heroic.]; Jaws; available at http://stylealchemy.com/wp-content/uploads/2012/06/jaws.jpg (last accessed 12th April 2015)
- Figure 4: Butler, S., 2007; [By including Quint into the survivors of the Indianapolis, and with World War II ending only 30 yearsbefore the film's release, the film drove home how relatable and nightmarish his siutation was]; USS Indianapolis- Survivors on deck of the USS Bassett 2; available at http://m5.i.pbase.com/g4/80/287380/2/63845525.Ck0JQ4Xx.jpg (last accessed 12th April 2015)
Hi Mark - great to see you plugging the gaps - and committing to another engaging, content-rich review; you appear however to have some formatting glitches here - a great big highlighted section? Take a look...
ReplyDeleteCorrected. I initially tried using word to write up the review so I have no idea where the white highlighted section came from.
DeleteVery nice, Mark :)
ReplyDelete